• https://bitbucket.org/worldnewsnow/workspace/snippets/qXEexz/world-news-now#comment-8520178
    https://www.fimfiction.net/user/775369/Riya+Khan
    https://www.diigo.com/item/note/a43lq/a705?k=9f01c87473bfa258d5a239895e3b1f93
    https://penzu.com/public/7a49b43b51d44e7b
    https://jobhop.co.uk/blog/202626/ready-for-the-tryst-with-the-escorts-in-vadodara
    https://www.myfishingreport.com/blog-view.php?id=6782
    https://sites.suffolk.edu/connormulcahy/2014/04/18/solar-experiment-by-kurt-connor-noor/img_7998/#comment-303196
    https://transit.parovoz.com/masstransit/index.php?ID=330#comments
    https://blogs.cornell.edu/advancedrevenuemanagement12/2012/03/26/londons-west-end-theatre-district/comment-page-418/#comment-555560
    https://www.sixwordmemoirs.com/profile?uid=315198
    https://8tracks.com/riyakhanx
    https://www.lovecrafts.com/en-gb/user/Riya-Khan/6a18dca0-8b80-43f8-b35e-25541a752f3d
    https://gifyu.com/riyakhan
    https://www.metal-archives.com/users/Riyakhanx
    https://www.diggerslist.com/riyakhan/about
    https://www.porteconomics.eu/member/Riyakhanx/
    http://www.baseportal.com/cgi-bin/baseportal.pl?htx=/ouatmicrobio/OMSA%20Web%20Site/eWrite/eWrite&wcheck=1
    https://test.smartboxmovingandstorage.com/blog/post/smartblog/2015/05/03/great-summer-storage-tips-for-teachers
    https://www.guildlaunch.com/community/users/blog/6426388/2291156/the-best-place-to-find-escort-agency-in-vadodara/?gid=535
    http://www.enduro.horazdovice.cz/forum.php?forum=3&msg=2&msgref=20131&topic=2#anch20131
    https://7tdmjpf5yuwu.jobboard.io/profiles/4915268-riya-khan
    https://bitbucket.org/worldnewsnow/workspace/snippets/qXEexz/world-news-now#comment-8520178 https://www.fimfiction.net/user/775369/Riya+Khan https://www.diigo.com/item/note/a43lq/a705?k=9f01c87473bfa258d5a239895e3b1f93 https://penzu.com/public/7a49b43b51d44e7b https://jobhop.co.uk/blog/202626/ready-for-the-tryst-with-the-escorts-in-vadodara https://www.myfishingreport.com/blog-view.php?id=6782 https://sites.suffolk.edu/connormulcahy/2014/04/18/solar-experiment-by-kurt-connor-noor/img_7998/#comment-303196 https://transit.parovoz.com/masstransit/index.php?ID=330#comments https://blogs.cornell.edu/advancedrevenuemanagement12/2012/03/26/londons-west-end-theatre-district/comment-page-418/#comment-555560 https://www.sixwordmemoirs.com/profile?uid=315198 https://8tracks.com/riyakhanx https://www.lovecrafts.com/en-gb/user/Riya-Khan/6a18dca0-8b80-43f8-b35e-25541a752f3d https://gifyu.com/riyakhan https://www.metal-archives.com/users/Riyakhanx https://www.diggerslist.com/riyakhan/about https://www.porteconomics.eu/member/Riyakhanx/ http://www.baseportal.com/cgi-bin/baseportal.pl?htx=/ouatmicrobio/OMSA%20Web%20Site/eWrite/eWrite&wcheck=1 https://test.smartboxmovingandstorage.com/blog/post/smartblog/2015/05/03/great-summer-storage-tips-for-teachers https://www.guildlaunch.com/community/users/blog/6426388/2291156/the-best-place-to-find-escort-agency-in-vadodara/?gid=535 http://www.enduro.horazdovice.cz/forum.php?forum=3&msg=2&msgref=20131&topic=2#anch20131 https://7tdmjpf5yuwu.jobboard.io/profiles/4915268-riya-khan
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  • Cultures around the world...

    European cultures.

    "The wave of the future is not the conquest of the world by a single dogmatic creed but the liberation of the diverse energies of free nations and free men"

    Europe is a continent known for its diverse cultures, rich history, and significant contributions to art, literature, philosophy, and science. Here are some examples of European cultures:

    Western European Cultures:

    British Culture: British culture encompasses England, Scotland, Wales, and Northern Ireland. It is known for its literature (Shakespeare, Jane Austen), iconic landmarks (like Big Ben and Stonehenge), music (The Beatles, classical composers), sports (football, cricket), afternoon tea, and cultural events like the Notting Hill Carnival and Edinburgh Festival.

    "Culture is the widening of the mind and of the spirit."

    French Culture: French culture is renowned for its contributions to art, fashion (Paris is a fashion capital), cuisine (French cuisine is celebrated worldwide), wine production, literature (authors like Victor Hugo and Marcel Proust), film industry (Cannes Film Festival), and landmarks like the Eiffel Tower and Louvre Museum.

    "Culture is a way of coping with the world by defining it in detail"

    German Culture: German culture is known for its contributions to classical music (Beethoven, Bach), philosophy (Kant, Nietzsche), literature (Goethe, Kafka), engineering and technology, Oktoberfest (world's largest beer festival), Christmas markets, and the historic landmarks of Berlin.

    Eastern European Cultures:

    Russian Culture: Russian culture is renowned for its literature (Tolstoy, Dostoevsky), ballet (Bolshoi Theatre), classical music (Tchaikovsky, Rachmaninoff), iconic landmarks (Red Square, Saint Basil's Cathedral), traditional cuisine (borscht, caviar), and rich folklore traditions.

    "To merely observe your culture without contributing to it seems very close to existing as a ghost"

    Polish Culture: Polish culture is characterized by its history, traditions, and arts. It includes classical music (Chopin), literature (Wislawa Szymborska), Polish cuisine (pierogi, kielbasa), traditional festivals (such as St. John's Eve and Christmas traditions), and medieval architecture (like Krakow's Old Town and Wawel Castle).

    "That is true culture which helps us to work for the social betterment of all"

    Hungarian Culture: Hungarian culture is known for its unique language, folk traditions (including music and dance), thermal baths (like the Széchenyi Baths in Budapest), delicious cuisine (goulash, chimney cake), rich history, and impressive architecture (such as the Hungarian Parliament Building).

    Southern European Cultures:

    Italian Culture: Italian culture is famous for its art (Michelangelo, Leonardo da Vinci), architecture (Colosseum, Florence Cathedral), fashion (Milan is a fashion hub), cuisine (pizza, pasta, gelato), opera (La Scala), vibrant festivals (like Carnival in Venice), and love for football (soccer).

    "Without culture, and the relative freedom it implies, society, even when perfect, is but a jungle. This is why any authentic creation is a gift to the future"

    Spanish Culture: Spanish culture is characterized by its flamenco music and dance, bullfighting, siesta tradition, vibrant festivals (such as La Tomatina and Running of the Bulls), Moorish-influenced architecture (like Alhambra), delicious cuisine (paella, tapas), and world-renowned artists (such as Picasso and Gaudí).

    "In an immature society culture is an import; for a mature one it is a native manufacture which eventually becomes an export"

    Greek Culture: Greek culture has a rich ancient history, known for its contributions to philosophy (Socrates, Aristotle), mythology (Greek gods and goddesses), ancient architecture (Parthenon, Acropolis), literature (Homer's Iliad and Odyssey), traditional music (rebetiko), and delicious Mediterranean cuisine.

    "It is not part of a true culture to tame tigers, any more than it is to make sheep ferocious"

    These descriptions provide a glimpse into the diverse cultures found across Europe. It's important to note that each country and region within Europe has its own unique cultural practices, traditions, languages, and historical influences, contributing to the rich tapestry of European cultures.
    Cultures around the world... European cultures. "The wave of the future is not the conquest of the world by a single dogmatic creed but the liberation of the diverse energies of free nations and free men" Europe is a continent known for its diverse cultures, rich history, and significant contributions to art, literature, philosophy, and science. Here are some examples of European cultures: Western European Cultures: British Culture: British culture encompasses England, Scotland, Wales, and Northern Ireland. It is known for its literature (Shakespeare, Jane Austen), iconic landmarks (like Big Ben and Stonehenge), music (The Beatles, classical composers), sports (football, cricket), afternoon tea, and cultural events like the Notting Hill Carnival and Edinburgh Festival. "Culture is the widening of the mind and of the spirit." French Culture: French culture is renowned for its contributions to art, fashion (Paris is a fashion capital), cuisine (French cuisine is celebrated worldwide), wine production, literature (authors like Victor Hugo and Marcel Proust), film industry (Cannes Film Festival), and landmarks like the Eiffel Tower and Louvre Museum. "Culture is a way of coping with the world by defining it in detail" German Culture: German culture is known for its contributions to classical music (Beethoven, Bach), philosophy (Kant, Nietzsche), literature (Goethe, Kafka), engineering and technology, Oktoberfest (world's largest beer festival), Christmas markets, and the historic landmarks of Berlin. Eastern European Cultures: Russian Culture: Russian culture is renowned for its literature (Tolstoy, Dostoevsky), ballet (Bolshoi Theatre), classical music (Tchaikovsky, Rachmaninoff), iconic landmarks (Red Square, Saint Basil's Cathedral), traditional cuisine (borscht, caviar), and rich folklore traditions. "To merely observe your culture without contributing to it seems very close to existing as a ghost" Polish Culture: Polish culture is characterized by its history, traditions, and arts. It includes classical music (Chopin), literature (Wislawa Szymborska), Polish cuisine (pierogi, kielbasa), traditional festivals (such as St. John's Eve and Christmas traditions), and medieval architecture (like Krakow's Old Town and Wawel Castle). "That is true culture which helps us to work for the social betterment of all" Hungarian Culture: Hungarian culture is known for its unique language, folk traditions (including music and dance), thermal baths (like the Széchenyi Baths in Budapest), delicious cuisine (goulash, chimney cake), rich history, and impressive architecture (such as the Hungarian Parliament Building). Southern European Cultures: Italian Culture: Italian culture is famous for its art (Michelangelo, Leonardo da Vinci), architecture (Colosseum, Florence Cathedral), fashion (Milan is a fashion hub), cuisine (pizza, pasta, gelato), opera (La Scala), vibrant festivals (like Carnival in Venice), and love for football (soccer). "Without culture, and the relative freedom it implies, society, even when perfect, is but a jungle. This is why any authentic creation is a gift to the future" Spanish Culture: Spanish culture is characterized by its flamenco music and dance, bullfighting, siesta tradition, vibrant festivals (such as La Tomatina and Running of the Bulls), Moorish-influenced architecture (like Alhambra), delicious cuisine (paella, tapas), and world-renowned artists (such as Picasso and Gaudí). "In an immature society culture is an import; for a mature one it is a native manufacture which eventually becomes an export" Greek Culture: Greek culture has a rich ancient history, known for its contributions to philosophy (Socrates, Aristotle), mythology (Greek gods and goddesses), ancient architecture (Parthenon, Acropolis), literature (Homer's Iliad and Odyssey), traditional music (rebetiko), and delicious Mediterranean cuisine. "It is not part of a true culture to tame tigers, any more than it is to make sheep ferocious" These descriptions provide a glimpse into the diverse cultures found across Europe. It's important to note that each country and region within Europe has its own unique cultural practices, traditions, languages, and historical influences, contributing to the rich tapestry of European cultures.
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  • What Should We Hope For?
    The equation of hope can help us realize our dreams, and their limits.
    Reviewed by Lybi Ma

    KEY POINTS-
    Hope is a cornerstone of emotional intelligence, but eminent thinkers of human nature often noted it only in passing.
    Hope is not optimism, its equation is more complex: Hope = Aspiration + Good + Uncertainty + Efficacy.
    Hope requires partnership. In human affairs, “I am hope” is never enough; “we are hope” is the only path of realizable dreams.
    Looking at a painting or a photograph, where the sun meets the horizon, it’s not always easy to tell if it’s dusk or dawn. Sometimes, it’s hard to tell in real life as well. In such uncertain moments, rather than looking at sunset or sunrise to establish directions, we look for our compass to offer guidance – to catch the sun, and earth’s intentions.

    This is Passover, a time to celebrate emancipation from slavery – and to calibrate our compass, emotional and moral, to rediscover hope. I write this in Israel, where the light of liberties flickers in limbo, the country’s fragile democracy lingering between death and rebirth.

    Entering a slightly dreamy mood, I recalled a recent moment when popular culture hit home, and a Netflix show I thought was fun to watch became, with a single scene, personal, perhaps too personal.

    But even for Sandman, that weaver of dreams, are there certain dreams that are too much to dare? What should we hope for, how much, and when should we stop hoping? When should we give up on causes, on people, on our people? What is it that kills hope? What is it that keeps it alive?

    Hope is not optimism, a belief that things will somehow turn right. The equation of hope is more complex: Hope = Aspiration + Good + Uncertainty + Efficacy. We hope when we aspire for an uncertain good, which we (believe we) can aid. But we rarely consider all these before we utter “hope.” The word is often just one offhanded comment away. “I hope to do well in the exam.” Well, duh! We rarely hope to fail, unless we deem failure as good.

    Hope then is a bit banal sentiment, so pervasive to be almost transparent. That much is plain in philosophy and psychology, and politics. Eminent thinkers made hope a cornerstone of human life but only noted this in passing. Thomas Hobbes, for example, rarely discusses hope in his political psychology, but when he does, it’s the “equality of hope” in the state of nature that should make people seek the protection of the mighty Leviathan. Spinoza too pays hope just scant attention but argues that together with fear, it’s the basis of political power, and the reason people follow the social contract.

    Immanuel Kant took hope more seriously. In his Critique of Pure Reason, “What can I know?” and “What should I do?” are Kant’s two well-known questions, the “is” and “ought” pillars of philosophy. But then, alongside this famous twin, Kant surprises us with a third fundamental conundrum: “What may I hope?”

    And here it gets interesting, since—atypical of Kant—emotions kick in, and so does God. For Kant, a prime good to hope for is personal happiness. But a precursor to The Good Place’s Chidi, always seeking the ethical good (though perhaps not amidst sunset), Kant doesn’t just want to be happy, he wants to be happy because he’s good! But who can ever assure us that good people would be happy, and, presumably, bad ones miserable? Not a single person, Kant realizes, as he summons the “highest reason,” namely God, to help us hope for moral progress, personal and universal, which would lead to happiness.

    Kant failed. While asking, “What may I hope?” Kant actually answered to, “What can’t I hope without?” Still, God is, at best, a necessary, but never a sufficient, condition for humans’ hope for happiness and for the good. After all, even under God, good people often get the short end of the stick, awaiting their carrot in heaven.

    Perhaps Kant failed because he didn’t hope enough. Unlike Kant, Søren Kierkegaard didn’t resort to Reason to give God center stage in his theatre of hope. For the Danish existentialist, earthly, natural hopes are bound to disappoint us. But they serve a superior purpose by paving a path for eternal hope, which “is against hope, because according to that purely natural hope there [is] no more hope; consequently this hope is against hope.”

    How far can one "hope against hope," against all possible odds? Kierkegaard wanted to go as far as possible, to a father sacrificing his beloved son, believing that somehow his beloved God will save the day. He knighted the faithful Abraham for this remarkable “leap of faith.” But in the process, without realizing it, Kierkegaard tried to redeem God Himself – from His own cruel words and actions.

    Kierkegaard’s hope was in fact the reverse of what he sought. He didn't cast divine hope overcoming human hope, but earthly hope, his own, absolving the divine. But then, if humans are so powerful as to absolve God, why do they need that demiurge in the first place? They might just as well do away, and without, Him. What’s left?

    A realization: “Hope against hope” is a dead end. What is it that kills hope? Well, hope itself, or rather a barren hope. Hope “can survive the anti-life, the dark at the end of everything,” only when it’s not lonely. Otherwise, hope is nothing but a wishful feeling, an unmet desire, an inch away from despair, or worse, destruction.

    In human affairs, “I am hope” is never enough; “we are hope” is the only path to realizable dreams. Hope requires partnership, and à la Franz Kafka, there is indeed, “no hope for us” without it. With it, helping each other hope, often for different things, everything’s possible, and “the dark at the end” can be a bright beginning. What may we hope for? Anything.
    What Should We Hope For? The equation of hope can help us realize our dreams, and their limits. Reviewed by Lybi Ma KEY POINTS- Hope is a cornerstone of emotional intelligence, but eminent thinkers of human nature often noted it only in passing. Hope is not optimism, its equation is more complex: Hope = Aspiration + Good + Uncertainty + Efficacy. Hope requires partnership. In human affairs, “I am hope” is never enough; “we are hope” is the only path of realizable dreams. Looking at a painting or a photograph, where the sun meets the horizon, it’s not always easy to tell if it’s dusk or dawn. Sometimes, it’s hard to tell in real life as well. In such uncertain moments, rather than looking at sunset or sunrise to establish directions, we look for our compass to offer guidance – to catch the sun, and earth’s intentions. This is Passover, a time to celebrate emancipation from slavery – and to calibrate our compass, emotional and moral, to rediscover hope. I write this in Israel, where the light of liberties flickers in limbo, the country’s fragile democracy lingering between death and rebirth. Entering a slightly dreamy mood, I recalled a recent moment when popular culture hit home, and a Netflix show I thought was fun to watch became, with a single scene, personal, perhaps too personal. But even for Sandman, that weaver of dreams, are there certain dreams that are too much to dare? What should we hope for, how much, and when should we stop hoping? When should we give up on causes, on people, on our people? What is it that kills hope? What is it that keeps it alive? Hope is not optimism, a belief that things will somehow turn right. The equation of hope is more complex: Hope = Aspiration + Good + Uncertainty + Efficacy. We hope when we aspire for an uncertain good, which we (believe we) can aid. But we rarely consider all these before we utter “hope.” The word is often just one offhanded comment away. “I hope to do well in the exam.” Well, duh! We rarely hope to fail, unless we deem failure as good. Hope then is a bit banal sentiment, so pervasive to be almost transparent. That much is plain in philosophy and psychology, and politics. Eminent thinkers made hope a cornerstone of human life but only noted this in passing. Thomas Hobbes, for example, rarely discusses hope in his political psychology, but when he does, it’s the “equality of hope” in the state of nature that should make people seek the protection of the mighty Leviathan. Spinoza too pays hope just scant attention but argues that together with fear, it’s the basis of political power, and the reason people follow the social contract. Immanuel Kant took hope more seriously. In his Critique of Pure Reason, “What can I know?” and “What should I do?” are Kant’s two well-known questions, the “is” and “ought” pillars of philosophy. But then, alongside this famous twin, Kant surprises us with a third fundamental conundrum: “What may I hope?” And here it gets interesting, since—atypical of Kant—emotions kick in, and so does God. For Kant, a prime good to hope for is personal happiness. But a precursor to The Good Place’s Chidi, always seeking the ethical good (though perhaps not amidst sunset), Kant doesn’t just want to be happy, he wants to be happy because he’s good! But who can ever assure us that good people would be happy, and, presumably, bad ones miserable? Not a single person, Kant realizes, as he summons the “highest reason,” namely God, to help us hope for moral progress, personal and universal, which would lead to happiness. Kant failed. While asking, “What may I hope?” Kant actually answered to, “What can’t I hope without?” Still, God is, at best, a necessary, but never a sufficient, condition for humans’ hope for happiness and for the good. After all, even under God, good people often get the short end of the stick, awaiting their carrot in heaven. Perhaps Kant failed because he didn’t hope enough. Unlike Kant, Søren Kierkegaard didn’t resort to Reason to give God center stage in his theatre of hope. For the Danish existentialist, earthly, natural hopes are bound to disappoint us. But they serve a superior purpose by paving a path for eternal hope, which “is against hope, because according to that purely natural hope there [is] no more hope; consequently this hope is against hope.” How far can one "hope against hope," against all possible odds? Kierkegaard wanted to go as far as possible, to a father sacrificing his beloved son, believing that somehow his beloved God will save the day. He knighted the faithful Abraham for this remarkable “leap of faith.” But in the process, without realizing it, Kierkegaard tried to redeem God Himself – from His own cruel words and actions. Kierkegaard’s hope was in fact the reverse of what he sought. He didn't cast divine hope overcoming human hope, but earthly hope, his own, absolving the divine. But then, if humans are so powerful as to absolve God, why do they need that demiurge in the first place? They might just as well do away, and without, Him. What’s left? A realization: “Hope against hope” is a dead end. What is it that kills hope? Well, hope itself, or rather a barren hope. Hope “can survive the anti-life, the dark at the end of everything,” only when it’s not lonely. Otherwise, hope is nothing but a wishful feeling, an unmet desire, an inch away from despair, or worse, destruction. In human affairs, “I am hope” is never enough; “we are hope” is the only path to realizable dreams. Hope requires partnership, and à la Franz Kafka, there is indeed, “no hope for us” without it. With it, helping each other hope, often for different things, everything’s possible, and “the dark at the end” can be a bright beginning. What may we hope for? Anything.
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